Cumulus for a New Market

Cumulus for a New Market | Brydee Rood 2013 Performance curated for Auckland Art Week by Justin Jade Morgan at Development AIR Newmarket Auckland NZ | Materials: Bicycle, titanium glutton sized' rubbish bags sourced from the USA, air, string, rubber bands, pearls, assorted silver accessories.

Images courtesy of Brydee Rood

Untitled Land

Untitled Land - A collaborative project by Brydee Rood and Chiman Dangi situated around a vacant lot come wasteland on Ambamata Temple Road, Udaipur, India 2013. Untitled Land was created site-specifically and dedicated to this particular plot of 'untitled land'. Link to article about Untitled Land / Materials: Local pigment, assorted rubbish bags, raincoats, auto rickshaw, solar lights and miscellaneous reused waste material.

Images courtesy of Brydee Rood and Chiman Dangi

Photographer: Sunil Nimawat

Take My Breath Away

Take My Breath Away / Brydee Rood 2013 / Site Specific Installation and Video at 30Upstairs Art Project Space Wellington NZ

Materials: Jaan flags, buff bin liners, disposable picnic covers and tape

Above: Installation | Below: Video Stills

Images courtesy of Brydee Rood 2013

Installation shots photographed by Shaun Waugh

Promising Greener Futures - Hariyali Hi Bhaavi Jivan Hai

Promising Greener Futures - Bandi River Action / Brydee Rood 2012 - 2013 / Sowing Seeds International Artist in Residence Camp, Jetpur Village, Rajasthan India. The stench, the encrusted greenish chemical build up flanking the riversides, the black-green waters and the unnervingly quiet lack of wildlife of Bandi River inspired this action. Together the Sowing Seeds artists carried this action; standing quietly meditative, holding the cloth, breathing in the noxious air, the souls of our collective footwear pushing into the upper crust of that alien chemical sand. Promising Greener Futures generated a flurry of media attention and visibility; a mere gesture in the potential of a promised greener future and a fervent wish for change. 

Over the course of 48 hours, with the support of the village chief I pulled together a length of white cloth and green paint. Aided by Anant Kumar and Neeraj Patel I hand painted a simple text in English “Promising Greener Futures...” and in Hindi “Hariyali Hi Bhaavi Jivan Hai...” The text suggests our human failures, our ability to promise change and fail repeatedly in our delivery. The political context of the Bandi River shifts responsibilities, its toxic water never finding purity between the textile factory owners illegally dumping untreated chemical waste directly into its flow and from what I grasped (following many discussions and translations) a law which states that dumping untreated waste is illegal and yet there is a governmental failure in enforcing it. In a quiet ritual extension of the act, I folded up the banner, tying it with string, casting it adrift in the Bandi River and leaving it for a few days to grow fetid. Upon retrieving my carefully folded “promise” I found it to be a putrid, foul, mottled grayish and blackened flop.

Assisted by Chiman Dangi and Sowing Seeds Artists

Images courtesy of Brydee Rood

Fountain of the Clouded Sky

Fountain of the Clouded Sky / Brydee Rood 2012 Fountain intervention for the Intraspace Project at Waikato Museum Te Whare Taonga o Waikato curated by Leafa Wilson
Materials: Buff coloured rubbish bags, bricks, string, air, water, dye.

Photographer: Aisha Roberts / Images courtesy of Brydee Rood

Picnic at Brahmpol

Picnic at Brahmpol / The Waste Whisperer Series Brydee Rood in collaboration with Chiman Dangi 2013 / Lakeside at Brahmpol Gate Udaipur India / Article: Foreign Artist Spreads Awareness Towards Water Pollution

All images courtesy of Brydee Rood

The Fruit of the Crows

The Fruit of the Crows / Brydee Rood 2012 / Installation / Last Ship Mumbai India

An eclectic offering; an altar drawn across the floor in the delicate accumulations of waste material gathered during a collection exercise in the local Mangrove Swamp in Carter Road, Bandra. A series of micro habitats rest upon the bow of Last Ship reflecting fragments of our temporary and disposable existence, searching for a place between sea and sky, hovering on the cusp of action, beckoning change and vulnerable to the sharp eye of the crow. 

 

All images courtesy of Brydee Rood

Exercises with Kasanova

Exercises with Kasanova / Brydee Rood 2012 / The Waste Whisperer Series / Live installation and video project / Headlands Centre For The Arts San Francisco USA. Rubbish bags donated by Envision Industries USA. Many thanks to Kasanova, Tessa, Presidio Riding Club, Fulbright NZ and the Wallace Arts Trust

At the Presidio Riding Club, a brisk walk from my studio at Headlands, I found a new friend and collaborator in Kasanova - a charming chestnut steed and his rider / owner Tessa de Franco. Exercises with Kasanova was created during an afternoon of gentle rubbish bag inflation, as I attached each rubbish bag to Kasanova I maintained continuous narration and eye contact "Hi Kasanova I'm just passing Tessa this rubbish bag balloon to attach to your saddle..." During a series of exercises we added more bags progressing into a sequence of movements through the Marin landscape. Frequently ‘Bear’, Tessa’s pet pug dog, trailed Kasanova, becoming an unexpected participant in the work. Towards the end of the exercises we were stopped by an inquisitive park ranger wanting to learn about the project and talk about horses.

 Images courtesy of Brydee Rood

Rubbish Pendulum

Rubbish Pendulum / Video / Brydee Rood 2012 The Waste Whisperer Series / Filmed at Recology Waste Transfer Station in San Francisco. There was something very emotional about this heaving, moving flux of garbage, this tide of materials. In any given moment there were commercial trucks dumping mammoth-heaps, individuals pulling in and fleetingly evacuating trunk-fulls of perished, forgotten deemed useless belongings… A small pile appears at my feet it’s riddled with the familiarity of someone’s lifetime – reduced to being rummaged over by one of the Recology workers deftly rescuing the best reusable bits. Two seconds later a ravishing mother load mass of steaming debris is quivering a few meters in front of me. A lively forklift shifts in for the take and like the reverse cutting of a birthday cake, makes off in hasty retreat with its newly shuffled mountain, leaving behind a vertical rubbish shelf jiggling before my eyes. The vision settles and I spy a single swinging object, the case end of a measuring tape dangling amidst the chaos, it's long arm of inches tangled far beyond reach, the tension and motion causing a pendulum swing, I was captivated! This brief encounter has become a short looping video and sound piece titled ‘Rubbish Pendulum’ a hypnotic meditation on waste. 

Thank-you Recology for granting me precious scavenging rites. 
Kia ora Fulbright NZ and The Wallace Arts Trust 

Images courtesy of Brydee Rood

To be with you, to be free...

To be with you, to be free… / Installation / Brydee Rood 2012 The Waste Whisperer Series / Headlands Centre For The Arts San Francisco USA / Materials: Compostable and degradable rubbish bags, air, yarn, tape, rubber bands / This work was made possible with the generousity of Fulbright NZ and The Wallace Arts Trust / Bio Star rubbish bags kindly donated by Pitt Plastics USA

Across 3 weeks and 1 day, using 6400 strands of yarn, 800 pieces of tape and an uncertain quantity of rubbish bags and rubber bands in equal measure, I created this site-specific installation at the Headlands Centre For The Arts during the Spring Artist in Residence program. Spinning and catching the air I inflated each rubbish bag, up and down ladders drizzling the falling yarn in a neutral palette and subtly changing each section to reflect physical nuances (pale old mint greenish paint peeling over the wall in the corner, generations of brown stains trod into the wooden floor, pinkish tones fading across the patchy wall surfaces...) within the site and the wider headlands environment. To be with you, to be free… was spatially aligned to channel the setting sun as it flowed in the west facing windows. To end this installation I opened all the sash windows in the room to let the wild Headlands wind blow through, gracefully disheveling my work. The precarious nature of ideas balanced within a delicate structure, articulating something fragile and unknown, blown free by the elements. It was air that filled the inflated rubbish bag balloons and air that buffeted and billowed the installation to its end. Perhaps To be with you, to be free… also speaks to the complex nature of human relationships, our materiality and our habitat. The final punctuation of the work - a single tangled mass of yarn, like a large full-stop at my feet.

Images courtesy of Brydee Rood

Light > Waste >> Walk >>>

Black Gold Memorial Tree Temple (dedicated to the Astrolabe Reef)  /  Brydee Rood 2011 / Site specific installation at Art In The Dark  /  Auckland NZ  /  Materials: Assorted rubbish bags, collected plastic bags, air and rubber bands / Lights kindly sponsored by La Lumiere

'The Find Another Way Barricade' / Brydee Rood 2010 was created and installed across a public footpath at Art In The Dark 2010 Auckland NZ / Materials: Wheelie Bins sponsored by Remondis and plastic LED hose lights.

Images courtesy of Brydee Rood

Spiriting Waste

During the Sowing Seeds International Artist in Residence Camp at Gelawas Village, Rajasthan, India I developed the following 2 projects in my ongoing visual research series: For A World Without Waste. Many thanks to Sowing Seeds, the Kaman Art Foundation and the Asia:NZ Foundation.

1. ‘Spiriting Waste’  / Performance and video project with Asharam Kumar and a sacred village cow / Materials: 400 solar powered LED lights, 4 general waste rubbish bags, assorted tape and welcome necklaces. Dec 2011 - Jan 2012.

Photographer: Vagaram Choudhary

2. ‘For A World Without Waste’ / ‘Gelawas Project’ and ‘Farewell Installation’ / Materials: 160 reusable rubbish bags, village plastic clean up action. Dec 2011 - Jan 2012

Images courtesy of Brydee Rood 2012