Tuesday, June 10, 2014

Waste Meditation


Sweep Dreams - Still Life with Brooms | Brydee Rood 2014 | Live Installation under a Jacaranda Tree at sunset in Mt Abu Rajasthan with NiV Art Centre Residency India. Materials: Brooms, Survival Blanket, Silver Foil, Jacaranda Flowers | Life Model: Chiman Dangi
Waste Meditation - Performance With Brooms | Brydee Rood 2014 Performance in conjunction with Shakti Sundays - A series of biweekly eco festivals and environmental initiatives in the public space of Fateh Sagar Lake and Art Junction Residency Udaipur India. Materials: Brooms, Survival Blankets, Turban Cloth, Ribbons, Golden Rain Flowers. Sponsored by the Asia:NZ Foundation Arts Grant program. Photographer: (below) Sunil Nimawat | (above) Brydee Rood
 Images courtesy of Brydee Rood 2014

Friday, May 30, 2014

Golden Dung Cave

Golden Dung Cave | Brydee Rood 2014 Installation in natural rock formation on the roadside to Dilwara Temple, Mt Abu Rajasthan India. My participation in the NiV Mt Abu Residency was sponsored by the Asia:NZ Foundation Arts Grant program. Materials: Cow Dung and Gold Leaf
All images courtesy of Brydee Rood 2014

Survival Yoga

Survival Yoga | Brydee Rood and Chiman Dangi 2014 Site specific performance and video installation at NiV Art Centre Mt Abu Artist in Residence Program. My travel to India and the artwork created during the NiV Mt Abu Residency was sponsored by the Asia:NZ Foundation Arts Grant program
Artist Text: We began thinking a lot about clean environments - wild and domestic, relating to topics of health and survival and the tasks of daily life. Survival Yoga involves the revival of an old, rusty, and broken Jhula (love seat, swing) which we found discarded on the rooftop of the NiV residency. We were drawn to its sculptural qualities and its functionality,  finding value and promise in this object, we also noted that there were quite  a few Jhula in the homes and gardens of Mt Abu residents.
Inspired by our many visits to Mt Abu's numerous and diverse temples, we wished to combine ritual with creative play using a variety of material ephemera to communicate something of our experience. The playful action of swinging to and fro and the delicate wrapping of Mali (foil papers) over the rusted iron limbs come together with dangling recycled drip bottles collected from the local hospital, sweeper brooms bought in the market, fallen flowers and survival blankets. The performance swings into life as each artist takes a turn to sit in the meditative rocking seat.
Images: Brydee Rood & Chiman Dangi 2014


Sun Passage

Sun Passage | Brydee Rood 2014 Performance during the TellusArt Artist in Residence Program - Kaliyanwala Village, Uttarakhand India. Sun Passage is reflective walk through the wheat-fields of Kaliyanwala wearing a sculptural teepee-poncho of silver disposable paper-foil plates, the kind found commonly in the local market for serving samosa and other snack-foods. The silver plates reflected my passage through the environment in the fading afternoon sun. Sun Passage is a poetic movement concerned with agricultural landscapes and our temporary and disposable life. Sponsored by the Asia:NZ Foundation Arts Grant program.
Videographer: Klas Fredrik - Images: Brydee Rood 2014

Holi Dung Cake Temple

Holi Dung Cake Temple | Brydee Rood 2014 Site specific installation and interaction at TellusArt Artist in Residence program 'My Village My Nation' Kaliyanwala Village Uttarakhand India. The Holi Dung Cake Temple installation evolved in three parts; first was learning the cow dung process from village women and building the dung sculpture creations on site in preparation for Holi, secondly it involved fellow artists and villagers who were invited into the work to partake in a ritual throwing of Holi pigment powder - in a self initiated and inspired festive celebration of the cow dung and finally - the application of 100% pure edible silver leaf to the dung cake sculpture surfaces in an exercise of making sacred.
Materials: Cow dung, Holi festival pigment powder, 100% pure edible silver leaf, miscellaneous local decorations, solar lights. Sponsored by the Asia:NZ Foundation Arts Grant program.
Image above - Photographer: Ajmer Sandhu
Image above - Photographer: Peter Varhelyi
Image above - Photographer: Peter Varhelyi
Image above - Photographer: Peter Varhelyi
 All Images courtesy of Brydee Rood 2014

Thursday, October 17, 2013

Cumulus for a New Market

Cumulus for a New Market | Brydee Rood 2013 Performance curated for Auckland Art Week by Justin Jade Morgan at Development AIR Newmarket Auckland NZ | Materials: Bicycle, titanium glutton sized' rubbish bags sourced from the USA, air, string, rubber bands, pearls, assorted silver accessories.
Images courtesy of Brydee Rood

Tuesday, September 24, 2013

Untitled Land

Untitled Land - A collaborative project by Brydee Rood and Chiman Dangi situated around a vacant lot come wasteland on Ambamata Temple Road, Udaipur, India 2013. Untitled Land was created site-specifically and dedicated to this particular plot of 'untitled land'. Link to article about Untitled Land / Materials: Local pigment, assorted rubbish bags, raincoats, auto rickshaw, solar lights and miscellaneous reused waste material.

Images courtesy of Brydee Rood and Chiman Dangi
Photographer: Sunil Nimawat

Monday, July 15, 2013

Take My Breath Away

Take My Breath Away / Brydee Rood 2013 / Site Specific Installation and Video at 30Upstairs Art Project Space Wellington NZ
Materials: Jaan flags, buff bin liners, disposable picnic covers and tape

Above: Installation | Below: Video Stills


Images courtesy of Brydee Rood 2013
Installation shots photographed by Shaun Waugh

Promising Greener Futures - Hariyali Hi Bhaavi Jivan Hai


Promising Greener Futures - Bandi River Action / Brydee Rood 2012 - 2013 / Sowing Seeds International Artist in Residence Camp, Jetpur Village, Rajasthan India. The stench, the encrusted greenish chemical build up flanking the riversides, the black-green waters and the unnervingly quiet lack of wildlife of Bandi River inspired this action. Together the Sowing Seeds artists carried this action; standing quietly meditative, holding the cloth, breathing in the noxious air, the souls of our collective footwear pushing into the upper crust of that alien chemical sand. Promising Greener Futures generated a flurry of media attention and visibility; a mere gesture in the potential of a promised greener future and a fervent wish for change. 
Over the course of 48 hours, with the support of the village chief I pulled together a length of white cloth and green paint. Aided by Anant Kumar and Neeraj Patel I hand painted a simple text in English “Promising Greener Futures...” and in Hindi “Hariyali Hi Bhaavi Jivan Hai...” The text suggests our human failures, our ability to promise change and fail repeatedly in our delivery. The political context of the Bandi River shifts responsibilities, its toxic water never finding purity between the textile factory owners illegally dumping untreated chemical waste directly into its flow and from what I grasped (following many discussions and translations) a law which states that dumping untreated waste is illegal and yet there is a governmental failure in enforcing it. In a quiet ritual extension of the act, I folded up the banner, tying it with string, casting it adrift in the Bandi River and leaving it for a few days to grow fetid. Upon retrieving my carefully folded “promise” I found it to be a putrid, foul, mottled grayish and blackened flop.
Assisted by Chiman Dangi and Sowing Seeds Artists
Images courtesy of Brydee Rood

Tuesday, April 2, 2013

Fountain of the Clouded Sky

Fountain of the Clouded Sky / Brydee Rood 2012 Fountain intervention for the Intraspace Project at Waikato Museum Te Whare Taonga o Waikato curated by Leafa Wilson
Materials: Buff coloured rubbish bags, bricks, string, air, water, dye.
Photographer: Aisha Roberts / Images courtesy of Brydee Rood

Sunday, March 31, 2013

Picnic at Brahmpol

Picnic at Brahmpol / The Waste Whisperer Series Brydee Rood in collaboration with Chiman Dangi 2013 / Lakeside at Brahmpol Gate Udaipur India / Article: Foreign Artist Spreads Awareness Towards Water Pollution
All images courtesy of Brydee Rood

The Fruit of the Crows

The Fruit of the Crows / Brydee Rood 2012 / Installation / Last Ship Mumbai India
An eclectic offering; an altar drawn across the floor in the delicate accumulations of waste material gathered during a collection exercise in the local Mangrove Swamp in Carter Road, Bandra. A series of micro habitats rest upon the bow of Last Ship reflecting fragments of our temporary and disposable existence, searching for a place between sea and sky, hovering on the cusp of action, beckoning change and vulnerable to the sharp eye of the crow. 
 
All images courtesy of Brydee Rood